William gibson agency5/20/2023 ![]() ![]() In this universe, spies, junkies and grifters engaged with the surge of post-9/11 surveillance technology as if it were all a McGuffin, evoking the visceral strangeness of our own swift transformation into a networked surveillance state, whose architects read cyberpunk not as a warning but as a business plan.Īnd then, Gibson complicated the plot even further with 2014’s “ The Peripheral,” a time-travel novel of braided parallel worlds, in which people from the future experience variations of their past - as in “Pattern Recognition”- while inhabiting a far-future dystopia that could easily have been a bit of light entertainment in “Neuromancer.” This fusion of futuristic Gibson and future-shocked Gibson was stunningly effective. After writing two trilogies of genre-defining cyberpunk in the 1980s and ‘90s, he swerved abruptly into bold new territory with 2003’s “Pattern Recognition,” a science fiction novel (along with two sequels) set not in the distant future but in an alternate recent past. ![]() If Gibson had stopped there, his place in history would be assured, but he didn’t. But if you’ve read only one book from that stubbornly resilient genre, “Neuromancer” is probably it. Dick awards - “ Neuromancer” wasn’t the book where Gibson coined the now-ubiquitous neologism “ cyberspace.” Nor was it the first cyberpunk novel. Published in 1984 and awarded science fiction’s “triple crown” - the Hugo, Nebula and Philip K. William Gibson made his reputation with his very first novel. ![]()
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